It’s
thanks to you I’ve played Sir William’s frets,
and
gratitude the more I’ve my own tried;
For
though my art does want, why so regret
that Art
the more by Try’s not amplified?
Forgive
then, distant friend, the handicaps
that
pressed to dance with words have only limped
graceward
with halting measure, and left scraps
of ideas
trailing. With enjambments crimped
together,
lines will multiply to hay-
stacks
where well-ordered rows of shocks should be;
A clumsy
first harvest, that chaffs away
the
kernels of new-sought ability.
(The
shoots that do sprout later sha’n’t be weeds:
Such
wasted thoughts of new crop are the seeds.)
O...M...G! You're absolutely amazing! Amazing, Kathryn (bows low as she addresses the woman who must be the long distant sister of the Bard himself, time-folded to the the present).
ReplyDeleteI don't even have words to say how this piece moved me. My favorite part beginning, "With enjambments...shocks should be;..." The entire piece beholds art right in its arms, like a cradle for words. Beautiful.
Oh, how will I ever live up to this? You'll find much closer cousins to WS in Timothy Steele and Robin Skelton, from whom I've read, sketchily.
DeleteLike the idea of Art and Try having a spin on the dance floor; honestly, hadn't seen that image.
Here I thought I was being a little sly, and you found it right away.
I can tell what my summer will be like already…LOL
K:) XO
LOL! I love that you included an image with this one. I know it's difficult to include an image with each poem for a variety of reasons, but the most prominent being that you probably don't want to lead the reader's interpretation through your image (or maybe you do ;-))
DeleteYou were being sly...I'm just one of those (you know) who sees what many others don't at first glance. xoxo
Me 'n' my camera phone: never parted…
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